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Sharon Thomas

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  • Work
    • Garden of Eden
    • Martha’s Domes
    • Tit and Cock
    • Egg Heads
    • Errr
    • Barberium
    • Exposed
    • Zone Out
    • Epilepsy and Eye
    • I Can Do It
    • Dark Ditties
    • Needs More Seasoning
    • 9/11: A New York Dectology
    • Mary Barbour
    • Herstory Portrait
    • Herstory Portrait- The Studies
    • Coffee Morning Series
    • Apotropaic
    • Nights at Fairy Hill
    • Something’s in the Undergrowth
    • Regina Res Publica
    • New Jerusalem
    • Her Manhattan Tales
    • Studies
  • Exhibitions
    • Garden of Eden, Glasgow, 2024
    • Paint Talk, Glasgow, 2022
    • Rural Rides, New Glasgow Society, Glasgow 2021
    • Tit and Cock, The Mandrake, New Mexico, USA, 2021
    • Little Packages, New Mexico, USA, 2020
    • Not Going Back to Normal, Edinburgh, 2020
    • NYAA Summer exhibition, NYC, 2020
    • Embody Without Burden, Glasgow, 2020
    • Feminist Public Sculpture, Leeds, 2019
    • Barberium, Glasgow, 2019
    • Herstory Portrait, Leeds, 2019
    • Curator’s Choice, Leeds, 2017
    • Beyond Epilepsy, Glasgow, 2016
    • Glasgow Projects Rooms, 2014
    • 20, Trongate 103, Glasgow, 2014
    • 21 Revolutions, Glasgow, 2012
    • Herstory Portait, Paisley, 2012
    • Sharon Thomas/Giacinto Occhionero/Scott Grodesky, Washington DC, 2011
    • Loop, Glasgow, 2011
    • Herstory Portrait, Glasgow, 2011
    • Sublime to the Ridiculous, Athens, 2009
    • Mother/mother, NYC, 2009
    • Apotropaic, Denmark, 2009
    • Tales of Shiney-Shiney, Oxford, 2009
    • The Mundane Shell: Glasgow International 2008
    • Reality Check, NYC, 2004
  • Bio
  • Press
  • Literature
  • Media
    • Melodies for ‘ Ripe for The Picking: Band of Brothers’ by Martin Gratton, 2014
  • CV
  • Blog
    • ‘Garden of Eden’ Sharon Thomas & Le Liu Preview, Saltmarket, Glasgow June 2024 
    • ‘Rural Rides’, New Glasgow Society, The Visitors, Sep 2021
    • Private View of Rural Rides, New Glasgow Society, 4 Sep 2021
    • ‘Pretty Ugly’, Saltspace, Glasgow, 2021
    • ‘Tit and Cock’ arrives at The Mandrake Gallery, New Mexico, Dec 2020
    • Private View of ‘Embody without Burden’, Royal Glasgow Institute, 7th March 2020
    • Feminist Public Sculpture: Championing Women’s Achievements in Leeds, Leeds Arts University, 2020
    • Cutting Demo and Drawing Session with Brazuca Barbers, Cassart, Glasgow, 2019
    • Private View of ‘Herstory portrait’ at Leeds Arts University, 2019
    • Private View of ‘Barberium’, Cassart, Queens St, Glasgow, 2019
    • Beyond Epilepsy, CCA (2016) Online blog collaboration and installation
    • Beyond Epilepsy, Summerhall TV Interview with Project Director Rachel Hewitt, 2016
    • Opening of ‘Loop’, Tramway, Glasgow – 100th International Women’s Day, 8 March 2011,
    • Crane Street Open Studios, Queens, New York, 13 March, 2005
  • Contact

Terry, 2022, egg tempera on duck egg shell

Dioneo, 2022, egg tempera on duck egg shell

Eddie, 2019, egg tempera on duck egg shell

Frank, 2022, egg tempera on duck egg shell

Pablo, 2022, egg tempera on duck egg shell

Frank and Dioneo egg tempera on duck egg, 2022

Frank and Dioneo egg tempera on duck egg, 2022

Frank and Dioneo Twinned , egg tempera on duck egg, 2022

Frank, Dioneo and Jeff (Martha's Domes), 2022

Eddie and Terry Indomed, egg tempera on duck egg, 2022

Martha's Domes installation Trongate 103, 2022

Martha's Domes installation Trongate 103, 2022

Martha's Domes installation Trongate 103, 2022

Dioneo (Martha's Domes installation), Trongate, 2022

Eddie (Martha's Domes installation), Trongate, 2022

Pablo, (Martha's Domes installation), Trongate, 2022

Terry (Martha's Domes installation), Trongate, 2022

Martha's Domes installation Trongate 103, 2022

Martha's Domes installation Trongate 103, 2022

Martha's Domes installation Trongate 103, 2022

Martha's Domes installation Trongate 103, 2022

Martha's Domes installation Trongate 103, 2022

Martha's Domes installation Trongate 103, 2022

Dioneo, (Martha's Domes installation), Trongate 103, 2022

Eddie, Martha's Domes installation), Trongate 103, 2022

©2025 Sharon Thomas